Engaging the viewer into a dialogue with her work is just one aspect of painting that appeals to local artist Ruth Stirnimann, whose art is being exhibited in Nelson until the end of this month. Trained in movement and dance, and with years of learning different hands-on healing and energy balancing techniques, Ruth's background is reflected in her work.

She has two distinctive styles of compositions; the first, she says, is painting through opening herself to intangible energy patterns that wish to manifested through her, a form of abstract expressionism.

The second is much more ordered. Called sacred geometry, it is what Ruth describes as formal or structured expressionism, although she prefers the term "experiential art".

She also enjoys creating healing paintings for others, which she describes as a "very beautiful and rewarding way to work".

"I love the different sides to my work. On the one hand there is order and on the other it is much more random," she says.

"Each piece takes between six and twelve months to complete, and I always have at least three on the go at any time."

Ruth has lived in Kaikoura for four and a half years, having spent much time in Blenheim. She says she has found it to be an inspirational place for an artist with very good energy, and has received a lot of local support, as well as having supportive friends in Nelson, where the exhibition is on.

The exhibition of Ruth's paintings from 2004 to 2008 is at the Fullmer Gallery, Balwin Rd, Nelson. Dedicated entirely to her work, there are about 25 pieces on display, showcasing her use of different textures, including sand, adding further vibrations to the work. The exhibition finishes on February 28.

Kaikoura artist Ruth Stirnimann says painting has always been a beautiful and essential part of her life.

“Colour, rhythm, movement and texture are important aspects to my art. I am fascinated by the subtle dialogue and interplay of energies between these different aspects, the relationships they create, the ever-changing patterns through the slightest variation of light and how they influence and transform each other.”

Crucial to Stirnimann’s approach to her art is her interest in “moving beyond the known”.

“In expanding my own consciousness and awareness, I wish to manifest the ‘concealed’, the intangible. Therefore, I approach every new painting with complete openness, a curiosity of that which wishes to flow through me into manifestation.

“As a young woman, I became aware that my driving soul-force was healing and expanding my own being. Extending and evolving our own consciousness not only realigns the individual, it has a ripple effect outward, restoring and elevating the world as a whole, as everything and everyone is inextricably linked.”

She says that her work can be categorized as formal and abstract expressionism.

“But I like to call it experiential art, as I hope to engender a greater awareness and a fresh, innovative experience in the viewer.”